The application of photography had driven painting techniques to evolve against realism, in which Pointillism is a common style. However, Bayer Matrix, basing on a similar theory brought the painting technique back to photography again.
This history changes my cognition of the world and has me thinking about the methodology of human beings for viewing and recording the objective world. I painted 45 photos in the form of Bayer Matrix dithering as an experimental visual diary, recording my creative mood and reflections every day.
Through this project, I hope to explore the secret of “Matrix Pointillism”, the boundaries and possibilities of
painting and photography
This history changes my cognition of the world and has me thinking about the methodology of human beings for viewing and recording the objective world. I painted 45 photos in the form of Bayer Matrix dithering as an experimental visual diary, recording my creative mood and reflections every day.
Through this project, I hope to explore the secret of “Matrix Pointillism”, the boundaries and possibilities of
painting and photography
摄影技术的应用推动绘画技法向写实主义演进，其中点彩派成为常见流派。然而基于相似理论的拜耳矩阵，又将绘画技法重新带回摄影领域。
这段历史改变了我对世界的认知，促使我思考人类观察与记录客观世界的方法论。我以拜耳矩阵抖动的形式创作了45幅摄影画作，作为实验性视觉日记，每日记录创作心境与思考。
通过这个项目，我希望探索“矩阵点彩”的奥秘，以及绘画与摄影的边界与可能性。